SUSAN AYDAN ABBOTT

BOOBY HATCH (WO)MANIFESTO: A FEMININE PERSPECTIVE OF CENTURY MANOR 2

The Hamilton Asylum for the Insane began operation in 1876 in response to a need for the maintenance of “demented minds and lunatics.” Spanning over 529 acres, it was capable of housing nearly 1000 patients. Having spent my youth in the area I'm interested in this place and its history: female hysteria, harsh treatments and procedures (including restraints, lobotomies, electroshock therapy), vintage photographs, artifacts, tools and equipment, underground tunnels, ghost stories, and the spectacle of Sunday afternoon picnics on hospital grounds where affluent folks came to watch, tease and taunt patients as a form of free entertainment. Century Manor, the grand three-storey mansion that sits on Hamilton’s escarpment brow, is the only significant part of the original facility still standing but is under threat of demolition as the former asylum's lands are being sold by the Province of Ontario. Convinced that the building should stand as a bastion of the treatment and history of mental illness, I feel an urgency to record and document its essence. Booby Hatch (Wo)manifesto: A Feminine Perspective of Century Manor will explore the asylum's dark past in tangent with my own personal history of mental illness. The project's intent is to bring darkness to light by confronting how unresolved trauma lingers, smouldering in the shadows, permeating in the soil, the landscape, the structure (of both the asylum and myself). It speaks of suffocating, obstructed, constricted, asphyxiated shame.  


EXPERIMENTAL WORKS IN PROGRESS

SCAR TISSUE SERIES digital photographs, varying sizes 2017

R.O.T.(RAPE OVER TIME) digital photographs, silicone and foam cast, life size 2017

HANDLE: SUPER 8 test footage 2018